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  • Yasamin Yarmal, 42, (right) a famous Afghan actress taking part to 'Love and Old Age', a successful soap opera broadcasted by Ariana Television Network (ATN), is discussing her acting with Ghafar Zalam, 48, (right - hands and script visible) the director, inside a home on the outskirts of Kabul, Afghanistan. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is portrayed in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, is being interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is practising in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is practising in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is practising in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, a documentary and fiction filmmaker, is sitting in her home in Kabul, Afghanistan. Roya's most famous production is titled 'Three Dots', an award-winning film that tells the story of women's village life in the province of Herat, western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Somaya Rezaie, 20, a young Afghan actress whose career has been affected by having part of the movie where she acted subtracted and played along 'music clips', is gazing at the streets from the window of a friend's home in Kabul, Afghanistan. Women appearing on 'music clips' in Afghanistan can be seen as 'immoral' by the public, might face dangers while and their careers can also be at stake.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, (right) and Alka Sadat, 24, (centre), two sisters working on documentary and fiction film, are sitting at their desk while editing their recent shooting in their home in Kabul, Afghanistan. Aziz Dilder, 28, (left) a teacher at the cinema department of the fine art faculty of Kabul University is collaborating with the two brave sisters since about one year. Roya's most famous production is titled 'Three Dots' and it is an award-winning film that tells the story of women's village life in the province of Herat in western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, is sitting inside at studio of Channel 1, an Afghan national television, before being interviewed by a presenter, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Ghafar Zalam, 48, the director for the soap opera 'Love and Old Age', broadcasted by Ariana Television Network (ATN) and featuring the renowned actress Yasamin Yarmal, 42, is reading the script for the shoot inside a home on the outskirts of Kabul, Afghanistan. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, (right) is being interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, is sitting while waiting to be interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is portrayed in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Diana Saqib, 29, a renowned Afghan documentary filmmaker, is sitting in her home in Kabul, Afghanistan. Diana's most famous production to date is titled 'Twenty-Five Per Cent' and focus on the lives of six women MPs in Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Yasamin Yarmal, 42, (right) a famous Afghan actress taking part to 'Love and Old Age', a successful soap opera broadcasted by Ariana Television Network (ATN), is discussing her acting with Ghafar Zalam, 48, (right - hands and script visible) the director, inside a home on the outskirts of Kabul, Afghanistan. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, a documentary and fiction filmmaker, is speaking on the phone in her home in Kabul, Afghanistan. Roya's most famous production is titled 'Three Dots', an award-winning film that tells the story of women's village life in the province of Herat in western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, (right) is taking her coat off while preparing to be interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Diana Saqib, 29, a renowned Afghan documentary filmmaker, is writing on her laptop inside her home in Kabul, Afghanistan. Diana's most famous production to date is titled 'Twenty-Five Per Cent' and focus on the lives of six women MPs in Afghanistan .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is portrayed in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, a documentary and fiction filmmaker, is sitting in her home in Kabul, Afghanistan. Roya's most famous production is titled 'Three Dots', an award-winning film that tells the story of women's village life in the province of Herat, western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Aghele Rezaie, 30, (right) the famous Afghan actress who has taken part in the controversial movie 'At Five in the Afternoon' (Winner of the Cannes Film Festival Jury Prize in 2003) is helping her son, Tamim, 8, (left) with his daily homework in their home in Kabul, Afghanistan. 'At Five in the Afternoon' focuses on the life of a progressive young woman who dreams of growing up to become the President of the Republic despite her oppressive home life and a strained relationship with her bigoted but loving father. The film follows the daily struggles of Afghan women in post-Taliban Afghanistan with tenderness and hope against a tragic background of death and despair.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Aghele Rezaie, 30, (right) the famous Afghan actress who has taken part in the controversial movie 'At Five in the Afternoon' (Winner of the Cannes Film Festival Jury Prize in 2003) is portrayed while sitting in her home in Kabul, Afghanistan. 'At Five in the Afternoon' focuses on the life of a progressive young woman who dreams of growing up to become the President of the Republic despite her oppressive home life and a strained relationship with her bigoted but loving father. The film follows the daily struggles of Afghan women in post-Taliban Afghanistan with tenderness and hope against a tragic background of death and despair. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Somaya Rezaie, 20, a young Afghan actress whose career has been affected by having part of the movie where she acted subtracted and played along 'music clips' is portrayed in a friend's home in Kabul, Afghanistan. Women appearing on 'music clips' in Afghanistan can be seen as 'immoral' by the public, might face dangers while and their careers can also be at stake.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Somaya Rezaie, 20, a young Afghan actress whose career has been affected by having part of the movie where she acted subtracted and played along 'music clips', is gazing at the streets from the window of a friend's home in Kabul, Afghanistan. Women appearing on 'music clips' in Afghanistan can be seen as 'immoral' by the public, might face dangers while and their careers can also be at stake.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Diana Saqib, 29, a renowned Afghan documentary filmmaker, is writing on her laptop inside her home in Kabul, Afghanistan. Diana's most famous production to date is titled 'Twenty-Five Per Cent' and focus on the lives of six women MPs in Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Aghele Rezaie, 30, (right) the famous Afghan actress who has taken part in the controversial movie 'At Five in the Afternoon' (Winner of the Cannes Film Festival Jury Prize in 2003) is portrayed while sitting in her home with her family in Kabul, Afghanistan. 'At Five in the Afternoon' focuses on the life of a progressive young woman who dreams of growing up to become the President of the Republic despite her oppressive home life and a strained relationship with her bigoted but loving father. The film follows the daily struggles of Afghan women in post-Taliban Afghanistan with tenderness and hope against a tragic background of death and despair.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (right) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is listening to some of her songs with her younger brother (centre) and a female member of her music group (left) in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (right) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan. Her guest and other members of the show are sitting near Azita. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, (right) is waiting to be interviewed on Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Alka Sadat, 24, (centre), an award-winning documentary and fiction filmmaker, is smiling while sitting at her desk in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Two women (left) dressed in traditional burka dresses are walking past a cart carrying brand new television sets along a more modern Afghan woman and her young daughter, (right) on the streets of Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (left) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A section of Kabul, Afghanistan, is photographed from the heights of Television Mountain, one of the renowned viewing points of the city.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A section of Kabul, Afghanistan, is photographed from a helicopter flying over the city.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Yasamin Yarmal, 42, (left) a famous Afghan actress taking part to 'Love and Old Age', a successful soap opera broadcasted by Ariana Television Network (ATN), is smiling with her colleagues before moving to a location to shoot a part of the series. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Safia, 23, a renowned singer and former contestant to 'Afghan Star' 2008-2009 edition, a Tolo TV program similar to American Idol, is practising in a studio for the production and launch of her new album, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Two young female members of the Aftab Theatre Group, one of the few performing teams in Kabul, are revising their acts while taking part to a practising session in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Two women dressed in traditional burka dresses are walking on the streets of Kabul, Afghanistan, during the late afternoon hours.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Zahra Mohseni, 23, the director of 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, is sitting at her desk in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, (right) and Alka Sadat, 24, (centre), two sisters working on documentary and fiction film, are sitting at their desk while editing part of their recent shooting in their home in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (centre) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A man is sitting next to the window of a DVD shop featuring Afghan, Bollywood and international movies in central Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • The Ariana Cinema is photographed in the center of Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Mixed members of the Aftab Theatre Group, one of the few performing teams in Kabul, are revising their acts while taking part to a practising session in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (centre) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Afghans are building a small local Mosque in a rocky village located near Bamyian's archaeological site. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi046.jpg
  • Professor Zemaryali Tarzi, (right) a notable An Afghan-born archaeologist from France and teacher in Strasbourg University, is portrayed discussing with one of his assistants on the excavation field where he is searching for a legendary 300m Sleeping Buddha. The statue should be located between the original two standing Buddhas, Afghanistan, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi014.JPG
  • An Afghan child is carrying flowers through a field in Bamiyan, a small Afghan town mostly populated by Hazaras. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi039.JPG
  • A young boy is riding his donkey home after having collected water water from a small river in Bamyan, Afghanistan. In the town there is no electricity or running water. Power is only being provided by generators or solar panels. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi009.JPG
  • A boy and his father are transporting gas cylinders with the use of donkeys in a small town on the road from Kabul, the capital of Afghanistan, to the mountain village of Bamiyan, located on the Hindu Kush range. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi048.jpg
  • Old, unusable tanks left in Bamiyan after the Russian invasion of Afghanistan are being enveloped by growing weeds while sitting as relics in what has become a field for cultivating potatoes. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi026.JPG
  • An Afghan elder is sleeping on the streets of Bamiyan's new bazaar. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi037.JPG
  • ANP officers (Afghan National Police) are posing for a portrait in their booth along Bamiyanís new bazaar. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi035.JPG
  • A river running through the Hindu Kush, the mountain range crossing Afghanistan and separating Kabul from Bamiyan, is photographed from a UNAMA helicopter on its way to the capital. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi033.JPG
  • Professor Zemaryali Tarzi, (left) a notable An Afghan-born archaeologist from France and teacher in Strasbourg University, is portrayed on his excavation field while searching for a legendary 300m Sleeping Buddha statue between the original standing Buddhas of Bamiyan, Afghanistan, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi003.JPG
  • Afghans are walking near their homes in a rocky village located near Bamyian's archaeological site. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi034.JPG
  • Afghan labourers are employed by Professor Zemaryali Tarzi, a notable An Afghan-born archaeologist from France and teacher in Strasbourg University, while on his hunt for a legendary 300m Sleeping Buddha statue between the original standing Buddhas of Bamiyan, Afghanistan, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi032.JPG
  • The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi017.JPG
  • Afghan labourers are employed by Professor Zemaryali Tarzi, a notable An Afghan-born archaeologist from France and teacher in Strasbourg University, while on his hunt for a legendary 300m Sleeping Buddha statue between the original standing Buddhas of Bamiyan, Afghanistan, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi011.JPG
  • Villagers are collecting water and washing clothes next to a small river in Bamyan, Afghanistan. In the town there is no electricity or running water. Power is only being provided by generators or solar panels. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi007.JPG
  • An Afghan man is carrying a papaya on the streets of Bamiyan's new bazaar. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi049.jpg
  • Maryam, 39, is holding her newborn granddaughter in front of the cave where her family dwell located inside the archaeological site of Bamiyan, central Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi025.JPG
  • Women are walking home after washing clothes next to a small river in Bamyan, Afghanistan. In the town there is no electricity or running water. Power is only being provided by generators or solar panels. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi024.JPG
  • A small river running through the Hindu Kush, the mountain range crossing Afghanistan and separating Kabul from Bamiyan, is photographed from a UNAMA helicopter on its way to the capital. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols.  Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi028.JPG
  • Afghans are busy at a bus stop near Bamiyan's new bazaar. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi038.JPG
  • An Afghan man is walking out of a mobile phone shop in Bamiyan's new bazaar. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi036.JPG
  • A section of the Hindu Kush, the mountain range crossing Afghanistan and separating Kabul from Bamiyan, is photographed from a UNAMA helicopter on its way to the capital. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi021.JPG
  • An Afghan man who witnessed the destruction of the Buddhas of Bamiyan by the hands of the Taliban is portrayed near his home in a rocky village by the archaeological site. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi018.JPG
  • Villagers are collecting water from a small river in Bamyan, Afghanistan. In the town there is no electricity or running water. Power is only being provided by generators or solar panels. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi047.jpg
  • Professor Zemaryali Tarzi, (left) a notable An Afghan-born archaeologist from France and teacher in Strasbourg University, is portrayed discussing with one of his assistants on the excavation field where he is searching for a legendary 300m Sleeping Buddha. The statue should be located between the original two standing Buddhas, Afghanistan, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi022.JPG
  • The remains of the original Western Buddha (55m - 'Male') in Bamiyan, Afghanistan, are collected in a cave at the feet of the friable cliff where the two Giant Buddhas once stood. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi044.jpg
  • The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi042.jpg
  • An old building in ruins is photographed in Bamiyan, in the heart of the Hindu Kush mountain range, central Afghanistan. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi029.JPG
  • An Afghan boy is walking near Bamyian's archaeological site. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi050.jpg
  • The cliff where once stood the Eastern Buddha is now being fixer and repaired with the use scaffolding to reach every part of the friable walls, in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi043.jpg
  • An Italian archaeologist is working on the maintenance and restoration of the Buddhas of Bamiyan's site in collaboration with a Japanese team of experts who has been visiting the town for various years to find a long-term solution to its slow but unceasing disappearance. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi045.jpg
  • A Japanese woman belonging to the maintenance and restoration team in Bamiyan is working on emergency fixtures on the walls of an ancient Buddhist cave on the premises of the archaeological site. The Japanese team of experts has been visiting the town for various years to find a long-term solution to its slow but unceasing disappearance. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi030.JPG
  • A villager is harvesting wheat in one of the fields located next to the Buddhas of Bamiyan's archaeological site. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi027.JPG
  • Members of the Japanese maintenance and restoration team in Bamiyan are collecting and cataloguing remains of ancient Buddhist and Islamic artefacts found on the premises of the archaeological site. The Japanese team of experts has been visiting the town for various years to find a long-term solution to its slow but unceasing disappearance. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century...Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi015.JPG
  • A Japanese woman belonging to the maintenance and restoration team in Bamiyan is working on emergency fixtures on the walls of an ancient Buddhist cave on the premises of the archaeological site. The Japanese team of experts has been visiting the town for various years to find a long-term solution to its slow but unceasing disappearance. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi013.JPG
  • An Afghan archaeologist is working on the maintenance and restoration of the Buddhas of Bamiyanís archaeological site in collaboration with a Japanese team of experts who has been visiting the town for various years to find a long-term solution to its slow but unceasing disappearance. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi006.JPG
  • The cliff where once stood the two Giant Buddhas of Bamiyan is photographed after sunset in the small Afghan town, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi001.JPG
  • Members of the Japanese team with the task to maintain and restore Bamiyan's archaeological site are working on emergency fixtures where the Western Buddha (55m - 'Male') once stood. The Japanese team of experts has been visiting the town for various years to find a long-term solution to its slow but unceasing disappearance. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. nce a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi031.JPG
  • Forests and natural beauty are very characteristic features of Bamyian, a small Afghan town in the heart of the Hindu Kush mountain range mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi023.JPG
  • The remains of ancient Buddhist art are photographed on the walls of the caves inside the Buddhas of Bamyanís archaeological site. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi020.JPG
  • Young boys are going back home after a visit to the bazaar passing by some of the caves in Bamyian that are still inhabited by a mixture of IDP (Internally-Displaced Persons) returnees and others with no chances for a better home. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi019.JPG
  • The remains of ancient Buddhist art are photographed on the walls of the caves inside the Buddhas of Bamyanís archaeological site. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi004.JPG
  • An Afghan woman is walking through a field of blossoming flowers in Bamiyan, a small Afghan town mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modeled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi002.JPG
  • The remains of the feet belonging to the Western Buddha (55m - 'Male') are photographed in Bamiyan. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi016.JPG
  • A member of the Japanese maintenance and restoration team in Bamiyan are collecting and cataloguing remains of ancient Buddhist and Islamic artefacts found on the premises of the archaeological site. The Japanese team of experts has been visiting the town for various years to find a long-term solution to its slow but unceasing disappearance. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. <br />
Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi041.jpg
  • Afghan workers are busy with the maintenance and renovation of the Buddhas of Bamyanís archaeological site. The Buddhas of Bamyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi005.JPG
  • Two tourists are looking at rocks collected from the remains of the original Western Buddha (55m - ëMaleí) in Bamiyan. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi012.JPG
  • The remains of the Western Buddha (55m - 'Male') are photographed in Bamiyan. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi010.JPG
  • The remains of ancient Buddhist art are photographed on the walls of the caves inside the Buddhas of Bamyanís archaeological site. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi008.JPG
  • Hamidah, 6, (Centre) is playing with a shovel while other members of the family are washing clothes or arranging morning duties, in front the cave they live since seven years, during a cold winter morning in Bamyan, central Afghanistan, an area mostly populated by Hazaras. A historically persecuted minority (15%) due to more lenient Islamic faith and characteristic 'Eastern' lineaments, Hazaras constitute the 70% of Bamyan's population.
    Bamiyan_UNESCO_63.JPG
  • Children are playing in front of an inhabited section of the cliff where once stood the two giant Buddhas of Bamyan, in central Afghanistan, an area mostly populated by Hazaras. A historically persecuted minority (15%) due to more lenient Islamic faith and characteristic 'Eastern' lineaments, Hazaras constitute the 70% of Bamyan's population.
    Bamiyan_UNESCO_59.JPG
  • Milad, 2, is portrayed during a snowy winter morning in front of the cave where he lives with his family since seven years, in Bamyan, central Afghanistan, an area mostly populated by Hazaras. A historically persecuted minority (15%) due to more lenient Islamic faith and characteristic 'Eastern' lineaments, Hazaras constitute the 70% of Bamyan's population.
    Bamiyan_UNESCO_65.JPG
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