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  • Roya Sadat, 28, (right) and Alka Sadat, 24, (centre), two sisters working on documentary and fiction film, are sitting at their desk while editing their recent shooting in their home in Kabul, Afghanistan. Aziz Dilder, 28, (left) a teacher at the cinema department of the fine art faculty of Kabul University is collaborating with the two brave sisters since about one year. Roya's most famous production is titled 'Three Dots' and it is an award-winning film that tells the story of women's village life in the province of Herat in western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Yasamin Yarmal, 42, (right) a famous Afghan actress taking part to 'Love and Old Age', a successful soap opera broadcasted by Ariana Television Network (ATN), is discussing her acting with Ghafar Zalam, 48, (right - hands and script visible) the director, inside a home on the outskirts of Kabul, Afghanistan. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is portrayed in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Two women (left) dressed in traditional burka dresses are walking past a cart carrying brand new television sets along a more modern Afghan woman and her young daughter, (right) on the streets of Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (right) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan. Her guest and other members of the show are sitting near Azita. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Alka Sadat, 24, (centre), an award-winning documentary and fiction filmmaker, is smiling while sitting at her desk in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (left) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is practising in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Working with clay at a non governmental centre is providing some revenue for the people living in Khayelitsha township in Cape Town, where over a million people live in the extreme poverty..
    HIV_AIDS_Children_07.JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is practising in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is practising in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, a documentary and fiction filmmaker, is sitting in her home in Kabul, Afghanistan. Roya's most famous production is titled 'Three Dots', an award-winning film that tells the story of women's village life in the province of Herat, western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A section of Kabul, Afghanistan, is photographed from the heights of Television Mountain, one of the renowned viewing points of the city.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Somaya Rezaie, 20, a young Afghan actress whose career has been affected by having part of the movie where she acted subtracted and played along 'music clips', is gazing at the streets from the window of a friend's home in Kabul, Afghanistan. Women appearing on 'music clips' in Afghanistan can be seen as 'immoral' by the public, might face dangers while and their careers can also be at stake.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A section of Kabul, Afghanistan, is photographed from a helicopter flying over the city.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, is sitting inside at studio of Channel 1, an Afghan national television, before being interviewed by a presenter, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Ghafar Zalam, 48, the director for the soap opera 'Love and Old Age', broadcasted by Ariana Television Network (ATN) and featuring the renowned actress Yasamin Yarmal, 42, is reading the script for the shoot inside a home on the outskirts of Kabul, Afghanistan. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Safia, 23, a renowned singer and former contestant to 'Afghan Star' 2008-2009 edition, a Tolo TV program similar to American Idol, is practising in a studio for the production and launch of her new album, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, (right) is being interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, is sitting while waiting to be interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is portrayed in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Diana Saqib, 29, a renowned Afghan documentary filmmaker, is sitting in her home in Kabul, Afghanistan. Diana's most famous production to date is titled 'Twenty-Five Per Cent' and focus on the lives of six women MPs in Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Yasamin Yarmal, 42, (right) a famous Afghan actress taking part to 'Love and Old Age', a successful soap opera broadcasted by Ariana Television Network (ATN), is discussing her acting with Ghafar Zalam, 48, (right - hands and script visible) the director, inside a home on the outskirts of Kabul, Afghanistan. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, a documentary and fiction filmmaker, is speaking on the phone in her home in Kabul, Afghanistan. Roya's most famous production is titled 'Three Dots', an award-winning film that tells the story of women's village life in the province of Herat in western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Aghele Rezaie, 30, (right) the famous Afghan actress who has taken part in the controversial movie 'At Five in the Afternoon' (Winner of the Cannes Film Festival Jury Prize in 2003) is helping her son, Tamim, 8, (left) with his daily homework in their home in Kabul, Afghanistan. 'At Five in the Afternoon' focuses on the life of a progressive young woman who dreams of growing up to become the President of the Republic despite her oppressive home life and a strained relationship with her bigoted but loving father. The film follows the daily struggles of Afghan women in post-Taliban Afghanistan with tenderness and hope against a tragic background of death and despair.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Yasamin Yarmal, 42, (left) a famous Afghan actress taking part to 'Love and Old Age', a successful soap opera broadcasted by Ariana Television Network (ATN), is smiling with her colleagues before moving to a location to shoot a part of the series. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Two young female members of the Aftab Theatre Group, one of the few performing teams in Kabul, are revising their acts while taking part to a practising session in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, (right) is taking her coat off while preparing to be interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Two women dressed in traditional burka dresses are walking on the streets of Kabul, Afghanistan, during the late afternoon hours.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A man is working with clay at a non governmental centre aimed at proving revenues for the people living in Khayelitsha township, in Cape Town, where over a million people live in the extreme poverty..
    HIV_AIDS_Children_06.JPG
  • Diana Saqib, 29, a renowned Afghan documentary filmmaker, is writing on her laptop inside her home in Kabul, Afghanistan. Diana's most famous production to date is titled 'Twenty-Five Per Cent' and focus on the lives of six women MPs in Afghanistan .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is portrayed in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, a documentary and fiction filmmaker, is sitting in her home in Kabul, Afghanistan. Roya's most famous production is titled 'Three Dots', an award-winning film that tells the story of women's village life in the province of Herat, western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, (right) and Alka Sadat, 24, (centre), two sisters working on documentary and fiction film, are sitting at their desk while editing part of their recent shooting in their home in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (centre) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, is being interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • The Ariana Cinema is photographed in the center of Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Mixed members of the Aftab Theatre Group, one of the few performing teams in Kabul, are revising their acts while taking part to a practising session in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (centre) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Aghele Rezaie, 30, (right) the famous Afghan actress who has taken part in the controversial movie 'At Five in the Afternoon' (Winner of the Cannes Film Festival Jury Prize in 2003) is portrayed while sitting in her home in Kabul, Afghanistan. 'At Five in the Afternoon' focuses on the life of a progressive young woman who dreams of growing up to become the President of the Republic despite her oppressive home life and a strained relationship with her bigoted but loving father. The film follows the daily struggles of Afghan women in post-Taliban Afghanistan with tenderness and hope against a tragic background of death and despair. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Somaya Rezaie, 20, a young Afghan actress whose career has been affected by having part of the movie where she acted subtracted and played along 'music clips' is portrayed in a friend's home in Kabul, Afghanistan. Women appearing on 'music clips' in Afghanistan can be seen as 'immoral' by the public, might face dangers while and their careers can also be at stake.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Zahra Mohseni, 23, the director of 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, is sitting at her desk in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Somaya Rezaie, 20, a young Afghan actress whose career has been affected by having part of the movie where she acted subtracted and played along 'music clips', is gazing at the streets from the window of a friend's home in Kabul, Afghanistan. Women appearing on 'music clips' in Afghanistan can be seen as 'immoral' by the public, might face dangers while and their careers can also be at stake.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Diana Saqib, 29, a renowned Afghan documentary filmmaker, is writing on her laptop inside her home in Kabul, Afghanistan. Diana's most famous production to date is titled 'Twenty-Five Per Cent' and focus on the lives of six women MPs in Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A man is sitting next to the window of a DVD shop featuring Afghan, Bollywood and international movies in central Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Aghele Rezaie, 30, (right) the famous Afghan actress who has taken part in the controversial movie 'At Five in the Afternoon' (Winner of the Cannes Film Festival Jury Prize in 2003) is portrayed while sitting in her home with her family in Kabul, Afghanistan. 'At Five in the Afternoon' focuses on the life of a progressive young woman who dreams of growing up to become the President of the Republic despite her oppressive home life and a strained relationship with her bigoted but loving father. The film follows the daily struggles of Afghan women in post-Taliban Afghanistan with tenderness and hope against a tragic background of death and despair.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (right) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is listening to some of her songs with her younger brother (centre) and a female member of her music group (left) in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, (right) is waiting to be interviewed on Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • The remains of ancient Buddhist art are photographed on the walls of the caves inside the Buddhas of Bamyanís archaeological site. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi020.JPG
  • The remains of ancient Buddhist art are photographed on the walls of the caves inside the Buddhas of Bamyanís archaeological site. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi004.JPG
  • The remains of ancient Buddhist art are photographed on the walls of the caves inside the Buddhas of Bamyanís archaeological site. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi008.JPG
  • Professor Zemaryali Tarzi, (right) a notable An Afghan-born archaeologist from France and teacher in Strasbourg University, is portrayed discussing with one of his assistants on the excavation field where he is searching for a legendary 300m Sleeping Buddha. The statue should be located between the original two standing Buddhas, Afghanistan, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi014.JPG
  • Details of a Vampyre Connexionís member during a tour to West Norwood Cemetery on Sunday, 4 March, 2007, in London, England. The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric. **ItalyOut**
    VampiresLondon08.JPG
  • A young man is providing information about lubricants to a couple of visitors by one of the exhibitors' stands at the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica17.JPG
  • The famous pin-up star, and wife of Marilyn Manson, Dita Von Teese is posing on stage at the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica05.JPG
  • A Japanese woman belonging to the maintenance and restoration team in Bamiyan is working on emergency fixtures on the walls of an ancient Buddhist cave on the premises of the archaeological site. The Japanese team of experts has been visiting the town for various years to find a long-term solution to its slow but unceasing disappearance. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi030.JPG
  • Old, unusable tanks left in Bamiyan after the Russian invasion of Afghanistan are being enveloped by growing weeds while sitting as relics in what has become a field for cultivating potatoes. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi026.JPG
  • A villager is harvesting wheat in one of the fields located next to the Buddhas of Bamiyan's archaeological site. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi027.JPG
  • An Afghan child is carrying flowers through a field in Bamiyan, a small Afghan town mostly populated by Hazaras. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi039.JPG
  • Professor Zemaryali Tarzi, (left) a notable An Afghan-born archaeologist from France and teacher in Strasbourg University, is portrayed on his excavation field while searching for a legendary 300m Sleeping Buddha statue between the original standing Buddhas of Bamiyan, Afghanistan, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi003.JPG
  • A young boy is riding his donkey home after having collected water water from a small river in Bamyan, Afghanistan. In the town there is no electricity or running water. Power is only being provided by generators or solar panels. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi009.JPG
  • Jenny, 62, the extravagant wife of Colin, the Vampyre Master, portrayed at her make-up table in her bedroom on Sunday, 29 June, 2007, in South London, England. The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric. **ItalyOut**
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  • Vampyre gadgets and books are exposed on a shelf in Cecileís living room, in Camden Town, London, England, on Sunday, 10 June, 2007. The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric.**ItalyOut**
    VampiresLondon19.JPG
  • Pictures of Cecileís graduation and master degree are hanging from the wall in her living room on Sunday, 10 June, 2006, in Camden Town, London, England. Cecile, 31, a French woman from Avignon, lives in London since 14 years and is one of the members in the Vampyre Connexion committee. The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric.**ItalyOut**
    VampiresLondon16.JPG
  • Sonia Siccardi, 28, the singer of the Theatres des Vampires, a Gothic music group, is walking off the stage at the end of the concert at the Slimelight, an exclusive Goth club in London during a night organised by the Vampyre Connexion, on Saturday, 3 February, 2007, in London, England. The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric.**ItalyOut**
    VampiresLondon14.JPG
  • Emma Smith, 21, is sitting on a sofa in Cecileís living room on Sunday, 15 October, 2006, in Camden Town, London, England. The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric. **ItalyOut**
    VampiresLondon09.JPG
  • Emma Smith, 21, portrayed while savouring a glass of wine in Cecileís living room on Sunday, 15 October, 2006, in Camden Town, London, England. The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric.  **ItalyOut**
    VampiresLondon05.JPG
  • (left to right) Jonathan Aristow, 20, Darren Jack Powell, 36, both from London, and Audrey a 25-year-old French national getting ready for a cemetery tour organised by the Vampyre Connexion on Sunday, 2 December, 2006, in Nunhead Cemetery, South London, England. The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric.   **ItalyOut**
    VampiresLondon02.JPG
  • A woman is posing behind a stand selling bondage tape at the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica24.JPG
  • An exhibitor is showing one of his sex machines to a visitor at the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica23.JPG
  • A young woman is putting on some tights at one of the exhibitors' stands selling sexy lingerie at the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica18.JPG
  • A male model is holding a copy of the sexy calendar featuring one of his pictures at the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica09.JPG
  • The famous pin-up star, and wife of Marilyn Manson, Dita Von Teese is posing on stage at the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica06.JPG
  • Panoramic view of the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica04.JPG
  • A group of showgirls is performing at the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica02.JPG
  • Afghans are building a small local Mosque in a rocky village located near Bamyian's archaeological site. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi046.jpg
  • Members of the Japanese team with the task to maintain and restore Bamiyan's archaeological site are working on emergency fixtures where the Western Buddha (55m - 'Male') once stood. The Japanese team of experts has been visiting the town for various years to find a long-term solution to its slow but unceasing disappearance. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. nce a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi031.JPG
  • An Afghan elder is sleeping on the streets of Bamiyan's new bazaar. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi037.JPG
  • ANP officers (Afghan National Police) are posing for a portrait in their booth along Bamiyanís new bazaar. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi035.JPG
  • Afghans are walking near their homes in a rocky village located near Bamyian's archaeological site. The cliff where once stood the Western Buddha (55m - 'Male') is photographed after sunset in Bamiyan, Afghanistan, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi034.JPG
  • A river running through the Hindu Kush, the mountain range crossing Afghanistan and separating Kabul from Bamiyan, is photographed from a UNAMA helicopter on its way to the capital. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi033.JPG
  • Afghan labourers are employed by Professor Zemaryali Tarzi, a notable An Afghan-born archaeologist from France and teacher in Strasbourg University, while on his hunt for a legendary 300m Sleeping Buddha statue between the original standing Buddhas of Bamiyan, Afghanistan, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi032.JPG
  • Members of the Japanese maintenance and restoration team in Bamiyan are collecting and cataloguing remains of ancient Buddhist and Islamic artefacts found on the premises of the archaeological site. The Japanese team of experts has been visiting the town for various years to find a long-term solution to its slow but unceasing disappearance. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century...Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi015.JPG
  • A Japanese woman belonging to the maintenance and restoration team in Bamiyan is working on emergency fixtures on the walls of an ancient Buddhist cave on the premises of the archaeological site. The Japanese team of experts has been visiting the town for various years to find a long-term solution to its slow but unceasing disappearance. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi013.JPG
  • An Afghan archaeologist is working on the maintenance and restoration of the Buddhas of Bamiyanís archaeological site in collaboration with a Japanese team of experts who has been visiting the town for various years to find a long-term solution to its slow but unceasing disappearance. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi006.JPG
  • An Afghan woman is walking through a field of blossoming flowers in Bamiyan, a small Afghan town mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modeled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi002.JPG
  • The cliff where once stood the two Giant Buddhas of Bamiyan is photographed after sunset in the small Afghan town, an area mostly populated by Hazaras. The Buddhas of Bamiyan were two 6th century monumental statues of standing Buddhas carved into the side of a cliff in the Bamiyan valley in the Hazarajat region of central Afghanistan, situated 230 km northwest of Kabul at an altitude of 2500 meters. The statues represented the classic blended style of Gandhara art. The main bodies were hewn directly from the sandstone cliffs, but details were modelled in mud mixed with straw, coated with stucco. Amid widespread international condemnation, the smaller statues (55 and 39 meters respectively) were intentionally dynamited and destroyed in 2001 by the Taliban because they believed them to be un-Islamic idols. Once a stopping point along the Silk Road between China and the Middle East, researchers think Bamiyan was the site of monasteries housing as many as 5,000 monks during its peak as a Buddhist centre in the 6th and 7th centuries. It is now a UNESCO Heritage Site since 2003. Archaeologists from various countries across the world have been engaged in preservation, general maintenance around the site and renovation. Professor Tarzi, a notable An Afghan-born archaeologist from France, and a teacher in Strasbourg University, has been searching for a legendary 300m Sleeping Buddha statue in various sites between the original standing ones, as documented in the old account of a renowned Chinese scholar, Xuanzang, visiting the area in the 7th century. Professor Tarzi worked on projects to restore the other Bamiyan Buddhas in the late 1970s and has spent most of his career researching the existence of the missing giant Buddha in the valley.
    Bamiyan_UNESCO_Alex_Masi001.JPG
  • Darren Jack Powell, 34-year-old English man, is having fun with another member during a  cemetery tour organised by the Vampyre Connexion on Sunday, 2 December, 2006, in Nunhead Cemetery, South London, England. The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric.**ItalyOut**
    VampiresLondon18.JPG
  • Models are taking part at a show organised for the Theatres des Vampires Goth music group at the Slimelight, an exclusive Goth club in London during a night organised by the Vampyre Connexion, on Saturday, 3 February, 2007, in London, England. The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric. **Italy Out**..
    VampiresLondon12.JPG
  • Cecile, 31, a French woman from Avignon, and one of the members in the Vampyre Connexion committee, is fitting his boots in her bedroom before a long day out with the group, on Sunday, 10 June, 2007, in Camden Town, London, England. The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric.**ItalyOut**
    VampiresLondon10.JPG
  • Cecile, 31, a French woman from Avignon, and one of the members in the Vampyre Connexion committee, is standing in her living room on Sunday, 15 October, 2006, in Camden Town, London, England. The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric. **ItalyOut**
    VampiresLondon07.JPG
  • Models are taking part at a show organised for the Theatres des Vampires Goth music group at the Slimelight, an exclusive Goth club in London during a night organised by the Vampyre Connexion, on Saturday, 3 February, 2007, in London, England...The Vampyre Connexion is the largest and most active of all the vampire groups in the United Kingdom, counting more than 100 members that for years have gathered regularly in London to share their common love for vampires and the Dark side of life. The Connexion raised from the hashes of the Vampyre Society, the first vampire appreciation group in 1995. The group believe in the fantasy of vampires and such creatures and live it to the full. Its  roots are to be found in the legends of Bram Stokerís Dracula. The group prints its own magazine, ëDark Nightsí featuring drawings, poetry, stories, photography and events. All of the members dress very peculiar clothing, and this is a very important part of the life of the group; it is respected with pride, taste and accuracy for the detail. Most like to dress to be elegant in a range of styles from regency to Victorian, some sew their own. In addition members visit art galleries, cemeteries, churches and cathedrals, attend gigs and concerts, and hold their own parties throughout the year, Halloween being the biggest and scariest one. Membership is open to all, the only qualification: being a love of all things Vampyric. **ItalyOut**
    VampiresLondon06.jpg
  • A section is dedicated to the art of kissing at Amora, the Academy of Sex and Relationships, on on Tuesday, April 17, 2007, in London, UK. The world's first visitor attraction dedicated to love, sex and relationships opens its door officially tomorrow (18th of April 2007) in Piccadilly. The permanent interactive attraction, Amora, expects to draw over half a million, 18+ visitors in the first year and fuses entertainment, excitement and education in a unique powerful sensory experience. With seven zones covering every aspect of relationships from first filtrations and dating to fantasy and fetish. Visitors can explore the science of attraction - what they find attractive and why, learn how to enhance their skills and even create what their perfect partner might look like. Male and female models help demystify erogenous zones, G-spot and prostate, while insights and technique tips are offered on various topics. Sexual awareness and well-being are also covered thoroughly. **Italy Out**..
    AmoraLondon5.JPG
  • A section is dedicated to the art of kissing at Amora, the Academy of Sex and Relationships, on Tuesday, April 17, 2007, in London, UK. The world's first visitor attraction dedicated to love, sex and relationships opens its door officially tomorrow (18th of April 2007) in Piccadilly. The permanent interactive attraction, Amora, expects to draw over half a million, 18+ visitors in the first year and fuses entertainment, excitement and education in a unique powerful sensory experience. With seven zones covering every aspect of relationships from first filtrations and dating to fantasy and fetish. Visitors can explore the science of attraction - what they find attractive and why, learn how to enhance their skills and even create what their perfect partner might look like. Male and female models help demystify erogenous zones, G-spot and prostate, while insights and technique tips are offered on various topics. Sexual awareness and well-being are also covered thoroughly. **Italy Out**..
    AmoraLondon4.JPG
  • Dildos and sex toys are on sales on one of the exhibitorsí stands at the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica22.JPG
  • The artists of ëThe Tiffany Showí, a group of transvestite dancers from Thailand, are performing on stage at the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica16.JPG
  • The artists of ?The Tiffany Show?, a group of transvestite dancers from Thailand, are performing on stage at the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica13.JPG
  • Panoramic view of the Erotica 2006 show in London, UK, on Friday, Nov. 17, 2006. Erotica is the world's largest adult lifestyle show. It attracts about 80,000 visitors every year with its over 150 retailer exhibitors, dazzling and decadent transvestite cabaret shows, fun foreplay seminars, beautiful lingerie collections, art and fetish demonstrations. **Italy Out**
    Erotica03.JPG
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