Show Navigation

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
{ 296 images found }

Loading ()...

  • Two women (left) dressed in traditional burka dresses are walking past a cart carrying brand new television sets along a more modern Afghan woman and her young daughter, (right) on the streets of Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Two women dressed in traditional burka dresses are walking on the streets of Kabul, Afghanistan, during the late afternoon hours.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A member of the Abba, a group of ten children selected within the town, is lighting a pole covered by heather and juniper named Scarlo and traditionally considered of good auspicious for the town of Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. .
    The_Historical_Carnival_of_Ivrea_32.JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is portrayed in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (right) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan. Her guest and other members of the show are sitting near Azita. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Yasamin Yarmal, 42, (right) a famous Afghan actress taking part to 'Love and Old Age', a successful soap opera broadcasted by Ariana Television Network (ATN), is discussing her acting with Ghafar Zalam, 48, (right - hands and script visible) the director, inside a home on the outskirts of Kabul, Afghanistan. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Alka Sadat, 24, (centre), an award-winning documentary and fiction filmmaker, is smiling while sitting at her desk in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (left) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, a documentary and fiction filmmaker, is sitting in her home in Kabul, Afghanistan. Roya's most famous production is titled 'Three Dots', an award-winning film that tells the story of women's village life in the province of Herat, western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Somaya Rezaie, 20, a young Afghan actress whose career has been affected by having part of the movie where she acted subtracted and played along 'music clips', is gazing at the streets from the window of a friend's home in Kabul, Afghanistan. Women appearing on 'music clips' in Afghanistan can be seen as 'immoral' by the public, might face dangers while and their careers can also be at stake.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A section of Kabul, Afghanistan, is photographed from a helicopter flying over the city.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, (right) and Alka Sadat, 24, (centre), two sisters working on documentary and fiction film, are sitting at their desk while editing their recent shooting in their home in Kabul, Afghanistan. Aziz Dilder, 28, (left) a teacher at the cinema department of the fine art faculty of Kabul University is collaborating with the two brave sisters since about one year. Roya's most famous production is titled 'Three Dots' and it is an award-winning film that tells the story of women's village life in the province of Herat in western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Safia, 23, a renowned singer and former contestant to 'Afghan Star' 2008-2009 edition, a Tolo TV program similar to American Idol, is practising in a studio for the production and launch of her new album, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, (right) is being interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is practising in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, is sitting while waiting to be interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is practising in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is portrayed in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is practising in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A section of Kabul, Afghanistan, is photographed from the heights of Television Mountain, one of the renowned viewing points of the city.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, a documentary and fiction filmmaker, is speaking on the phone in her home in Kabul, Afghanistan. Roya's most famous production is titled 'Three Dots', an award-winning film that tells the story of women's village life in the province of Herat in western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, is sitting inside at studio of Channel 1, an Afghan national television, before being interviewed by a presenter, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Ghafar Zalam, 48, the director for the soap opera 'Love and Old Age', broadcasted by Ariana Television Network (ATN) and featuring the renowned actress Yasamin Yarmal, 42, is reading the script for the shoot inside a home on the outskirts of Kabul, Afghanistan. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Diana Saqib, 29, a renowned Afghan documentary filmmaker, is writing on her laptop inside her home in Kabul, Afghanistan. Diana's most famous production to date is titled 'Twenty-Five Per Cent' and focus on the lives of six women MPs in Afghanistan .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, a documentary and fiction filmmaker, is sitting in her home in Kabul, Afghanistan. Roya's most famous production is titled 'Three Dots', an award-winning film that tells the story of women's village life in the province of Herat, western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, (right) and Alka Sadat, 24, (centre), two sisters working on documentary and fiction film, are sitting at their desk while editing part of their recent shooting in their home in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Diana Saqib, 29, a renowned Afghan documentary filmmaker, is sitting in her home in Kabul, Afghanistan. Diana's most famous production to date is titled 'Twenty-Five Per Cent' and focus on the lives of six women MPs in Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (centre) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Yasamin Yarmal, 42, (right) a famous Afghan actress taking part to 'Love and Old Age', a successful soap opera broadcasted by Ariana Television Network (ATN), is discussing her acting with Ghafar Zalam, 48, (right - hands and script visible) the director, inside a home on the outskirts of Kabul, Afghanistan. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • The Ariana Cinema is photographed in the center of Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Aghele Rezaie, 30, (right) the famous Afghan actress who has taken part in the controversial movie 'At Five in the Afternoon' (Winner of the Cannes Film Festival Jury Prize in 2003) is helping her son, Tamim, 8, (left) with his daily homework in their home in Kabul, Afghanistan. 'At Five in the Afternoon' focuses on the life of a progressive young woman who dreams of growing up to become the President of the Republic despite her oppressive home life and a strained relationship with her bigoted but loving father. The film follows the daily struggles of Afghan women in post-Taliban Afghanistan with tenderness and hope against a tragic background of death and despair.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Yasamin Yarmal, 42, (left) a famous Afghan actress taking part to 'Love and Old Age', a successful soap opera broadcasted by Ariana Television Network (ATN), is smiling with her colleagues before moving to a location to shoot a part of the series. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Two young female members of the Aftab Theatre Group, one of the few performing teams in Kabul, are revising their acts while taking part to a practising session in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Mixed members of the Aftab Theatre Group, one of the few performing teams in Kabul, are revising their acts while taking part to a practising session in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, (right) is taking her coat off while preparing to be interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Aghele Rezaie, 30, (right) the famous Afghan actress who has taken part in the controversial movie 'At Five in the Afternoon' (Winner of the Cannes Film Festival Jury Prize in 2003) is portrayed while sitting in her home in Kabul, Afghanistan. 'At Five in the Afternoon' focuses on the life of a progressive young woman who dreams of growing up to become the President of the Republic despite her oppressive home life and a strained relationship with her bigoted but loving father. The film follows the daily struggles of Afghan women in post-Taliban Afghanistan with tenderness and hope against a tragic background of death and despair. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Somaya Rezaie, 20, a young Afghan actress whose career has been affected by having part of the movie where she acted subtracted and played along 'music clips' is portrayed in a friend's home in Kabul, Afghanistan. Women appearing on 'music clips' in Afghanistan can be seen as 'immoral' by the public, might face dangers while and their careers can also be at stake.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is portrayed in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Zahra Mohseni, 23, the director of 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, is sitting at her desk in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Somaya Rezaie, 20, a young Afghan actress whose career has been affected by having part of the movie where she acted subtracted and played along 'music clips', is gazing at the streets from the window of a friend's home in Kabul, Afghanistan. Women appearing on 'music clips' in Afghanistan can be seen as 'immoral' by the public, might face dangers while and their careers can also be at stake.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Diana Saqib, 29, a renowned Afghan documentary filmmaker, is writing on her laptop inside her home in Kabul, Afghanistan. Diana's most famous production to date is titled 'Twenty-Five Per Cent' and focus on the lives of six women MPs in Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A man is sitting next to the window of a DVD shop featuring Afghan, Bollywood and international movies in central Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, is being interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Aghele Rezaie, 30, (right) the famous Afghan actress who has taken part in the controversial movie 'At Five in the Afternoon' (Winner of the Cannes Film Festival Jury Prize in 2003) is portrayed while sitting in her home with her family in Kabul, Afghanistan. 'At Five in the Afternoon' focuses on the life of a progressive young woman who dreams of growing up to become the President of the Republic despite her oppressive home life and a strained relationship with her bigoted but loving father. The film follows the daily struggles of Afghan women in post-Taliban Afghanistan with tenderness and hope against a tragic background of death and despair.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (right) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is listening to some of her songs with her younger brother (centre) and a female member of her music group (left) in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (centre) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, (right) is waiting to be interviewed on Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Afreen, 17, a member of the Red Brigades, is performing during a street play promoting awareness about women’s condition in India, on the streets of Madiyaw colony, Lucknow District, Uttar Pradesh. The Red Brigades are a group of young women led by Usha, 25, who after an attempted rape began talking about abuse with her students, aged around 14 to 18 years old. Usha founded the Red Brigades in November 2010. They perform in self-written plays on gender equality around villages and cities, take part to protests and also teach self-defence classes. Most of the girls in the group have experienced some kind of abuse in their past. They sing words such as "all sisters are breaking all the rules, boundaries, come to bring a new world, change will come," and "for how long do we have to go through this?" and "the country has freedom, but girls do not have freedom."
    Sexual_Violence_India_10.JPG
  • Indians are watching the national cricket finals 2009 near Churchgate Station, central Mumbai, India, on May 24th 2009. The match, played in the South African city of Johannesburg, was won by the Deccan Chargers against the Royal Challengers Bangalore. The 2009 cricket finals where played in South Africa because of national elections that were scheduled for the same period.
    SZ_Cricket_India_Alex_Masi_5.jpg
  • (name changed) Kanchan Kumari Sharma, 12, is standing insider her home in Sersiya Kekrahi village, Varanasi District, Uttar Pradesh, India. In 2012, Kanchan went with a friend to bring lunch to her father, around 2 km away from her home. On the way they met Rajesh (rapist) and Ashok, a friend of his. Both girls were picked up on the spot using an excuse. Ashok drove Kanchan's friend home, but Rajesh forced Kanchan to travel with him during six days and for hundreds of kilometres across different states. (Mirzapur / Chennai / Itarsi / Bhusawal) He raped her once behind the station in Itarsi. With great effort and some coincidence, the uncle of Kanchan managed to bring her back home. Although she was scared, she insisted on going to the police to file a case (FIR). She was kept at the police station for 12 days and threatened to prevent her from filing an official case. Ashok and Rajesh are from higher caste and wealthy families. While Rajesh spent 24 days in jail initially in summer 2012, he is now a free man while the trial is still going on. Kanchan's family is now struggling to put together 30.000 Indian Rupees (500 USD) to continue battling for justice in court.
    Sexual_Violence_India_01.JPG
  • Pravesh Verma, 29, from the charity MASVAW, is smiling inside his home in Lucknow, Uttar Pradesh, India. Pravesh grew up in a middle class family living in a small village where women had to stay in the house and cover their faces when young or just married. He never helped with anything at home; sometimes he and his brother used to beat their sister when she left home to be with her local friends. He used to insult girls using foul language. He had a girlfriend, an adult relationship, but nobody was to know. When his father found out, they had to break up. He later moved to Lucknow in 2001 to study philosophy, and in summer 2007 he attended his first MASVAW-workshop on gender equality. He was impressed and continued to visit those kind of workshops in the coming years. Pravesh began to change; he started to cook and clean on his own, opened up a banking account for his sister where he could deposit some money for her, he even asked his father to change some of his property to his mother's name. He now has a girlfriend named Pinki, 29, and they both met each other's parents. He would like to marry her, but she is still thinking about it. She lives close to Delhi, and they can only meet twice a month. He resides in Lucknow with his sister and his old grandmother, around 100 years old.
    Sexual_Violence_India_45.JPG
  • Dr Lenin Raghuvanshi, (left) and her wife (right) are listening to some of their collaborators at the PVCHR headquarters in Varanasi, Uttar Pradesh, India. Lenin's grandfather was a freedom fighter in India's fight against the British. His father was a communist, so he names all of his children after famous communists: Mao, Che Guevara, Stalin, Lenin and Raul. Lenin used to be a doctor in Ayurveda and modern medicine but quit because of the inherent corruption he witnessed. He founded PVCHR in 1996. The charity organises workshops, supports victims during trial and with the police, and promotes education and gender equality.
    Sexual_Violence_India_43.JPG
  • In the early morning, a lone boy is standing by Hindu writing on a wall near Sersiya Kekrahi village, Varanasi District, Uttar Pradesh, India. In 2012, Kanchan (name changed) went with a friend to bring lunch to her father, around 2 km away from her home. On the way they met Rajesh (rapist) and Ashok, a friend of his. Both girls were picked up on the spot using an excuse. Ashok drove Kanchan's friend home, but Rajesh forced Kanchan to travel with him during six days and for hundreds of kilometres across different states. (Mirzapur / Chennai / Itarsi / Bhusawal) He raped her once behind the station in Itarsi. With great effort and some coincidence, the uncle of Kanchan managed to bring her back home. Although she was scared, she insisted on going to the police to file a case (FIR). She was kept at the police station for 12 days and threatened to prevent her from filing an official case. Ashok and Rajesh are from higher caste and wealthy families. While Rajesh spent 24 days in jail initially in summer 2012, he is now a free man while the trial is still going on. Kanchan's family is now struggling to put together 30.000 Indian Rupees (500 USD) to continue battling for justice in court.
    Sexual_Violence_India_41.JPG
  • Young women are taking part to an awareness workshop organised by Neeta Shani, from the charity PVCHR, in Parmandapur, a rural area near Varanasi, Uttar Pradesh, India. The girls are painting pro-women slogans on the walls of the local Panchayat, or village council.
    Sexual_Violence_India_40.JPG
  • In the early morning, men are standing around the roads of Sersiya Kekrahi village, Varanasi District, Uttar Pradesh, India, where Kanchan Kumari Sharma, 12, (name changed) resides with her family. In 2012, Kanchan went with a friend to bring lunch to her father, around 2 km away from her home. On the way they met Rajesh (rapist) and Ashok, a friend of his. Both girls were picked up on the spot using an excuse. Ashok drove Kanchan's friend home, but Rajesh forced Kanchan to travel with him during six days and for hundreds of kilometres across different states. (Mirzapur / Chennai / Itarsi / Bhusawal) He raped her once behind the station in Itarsi. With great effort and some coincidence, the uncle of Kanchan managed to bring her back home. Although she was scared, she insisted on going to the police to file a case (FIR). She was kept at the police station for 12 days and threatened to prevent her from filing an official case. Ashok and Rajesh are from higher caste and wealthy families. While Rajesh spent 24 days in jail initially in summer 2012, he is now a free man while the trial is still going on. Kanchan's family is now struggling to put together 30.000 Indian Rupees (500 USD) to continue battling for justice in court.
    Sexual_Violence_India_36.JPG
  • (name changed) Neelam Bharadwaj, 16, is preparing some rice for cooking while sitting inside her family’s home in Rajbhar village, located around 20 kilometres away from Varanasi, in Uttar Pradesh, India. Neelam was raped when she was 13 years old. After walking to a local shop on the main road neighbouring her village, she was forcibly picked up by two men. While one of them was raping her in the bushes, the other watched out. After some time, she managed to free herself and run away, hiding under a bridge in cold dirty water for several hours. When she returned home in the morning, the family was too afraid to go to the police, but activist Mangla Parsad, 34, from PVCHR, convinced the family to take the right action. The police initially insulted and threatened the family for bringing the facts up, but filed the official case (FIR) nevertheless. The rape was not mentioned in the file due to an inaccurate and superficial medical record that did not, in fact, mention it. Because of social shame facing by victims of rape in India, the family agreed to wed Neelam to an older man, with help of an agent. After the marriage, her husband raped her again for a whole month before she decided to return home with her family. Neelam’s father works in the metal industry in Mumbai and manages to send around 2-3000 INR every month. He only visits the family once in a year. Neelam goes to school and she is studying in 11th Class Standard. She is interested in doing BA in Arts after completing her high school 12th final year.
    Sexual_Violence_India_34.JPG
  • A lone woman is crossing a small fence near a railway crossing on the outskirts of Varanasi, Uttar Pradesh, India.
    Sexual_Violence_India_32.JPG
  • A young girl and other women are walking near a fruit vendor on the roads of Madiyaw colony, Lucknow District, Uttar Pradesh.
    Sexual_Violence_India_29.JPG
  • A woman and her two children are sitting next to a field in the rural area outside of Varanasi, Uttar Pradesh, India.
    Sexual_Violence_India_21.JPG
  • (name changed) Neelam Bharadwaj, 16, (right) is standing inside her family’s home in Rajbhar village, located around 20 kilometres away from Varanasi, in Uttar Pradesh, India, while her older sister Sanju, 29, (left) is cooking. Neelam was raped when she was 13 years old. After walking to a local shop on the main road neighbouring her village, she was forcibly picked up by two men. While one of them was raping her in the bushes, the other watched out. After some time, she managed to free herself and run away, hiding under a bridge in cold dirty water for several hours. When she returned home in the morning, the family was too afraid to go to the police, but activist Mangla Parsad, 34, from PVCHR, convinced the family to take the right action. The police initially insulted and threatened the family for bringing the facts up, but filed the official case (FIR) nevertheless. The rape was not mentioned in the file due to an inaccurate and superficial medical record that did not, in fact, mention it. Because of social shame facing by victims of rape in India, the family agreed to wed Neelam to an older man, with help of an agent. After the marriage, her husband raped her again for a whole month before she decided to return home with her family. Neelam’s father works in the metal industry in Mumbai and manages to send around 2-3000 INR every month. He only visits the family once in a year. Neelam goes to school and she is studying in 11th Class Standard. She is interested in doing BA in Arts after completing her high school 12th final year.
    Sexual_Violence_India_20.JPG
  • (name changed) Neelam Bharadwaj, 16, is standing inside her family’s home in Rajbhar village, located around 20 kilometres away from Varanasi, in Uttar Pradesh, India. Neelam was raped when she was 13 years old. After walking to a local shop on the main road neighbouring her village, she was forcibly picked up by two men. While one of them was raping her in the bushes, the other watched out. After some time, she managed to free herself and run away, hiding under a bridge in cold dirty water for several hours. When she returned home in the morning, the family was too afraid to go to the police, but activist Mangla Parsad, 34, from PVCHR, convinced the family to take the right action. The police initially insulted and threatened the family for bringing the facts up, but filed the official case (FIR) nevertheless. The rape was not mentioned in the file due to an inaccurate and superficial medical record that did not, in fact, mention it. Because of social shame facing by victims of rape in India, the family agreed to wed Neelam to an older man, with help of an agent. After the marriage, her husband raped her again for a whole month before she decided to return home with her family. Neelam’s father works in the metal industry in Mumbai and manages to send around 2-3000 INR every month. He only visits the family once in a year. Neelam goes to school and she is studying in 11th Class Standard. She is interested in doing BA in Arts after completing her high school 12th final year.
    Sexual_Violence_India_14.JPG
  • (name changed) Neelam Bharadwaj, 16, is standing among some clothes inside her family’s home in Rajbhar village, located around 20 kilometres away from Varanasi, in Uttar Pradesh, India. Neelam was raped when she was 13 years old. After walking to a local shop on the main road neighbouring her village, she was forcibly picked up by two men. While one of them was raping her in the bushes, the other watched out. After some time, she managed to free herself and run away, hiding under a bridge in cold dirty water for several hours. When she returned home in the morning, the family was too afraid to go to the police, but activist Mangla Parsad, 34, from PVCHR, convinced the family to take the right action. The police initially insulted and threatened the family for bringing the facts up, but filed the official case (FIR) nevertheless. The rape was not mentioned in the file due to an inaccurate and superficial medical record that did not, in fact, mention it. Because of social shame facing by victims of rape in India, the family agreed to wed Neelam to an older man, with help of an agent. After the marriage, her husband raped her again for a whole month before she decided to return home with her family. Neelam’s father works in the metal industry in Mumbai and manages to send around 2-3000 INR every month. He only visits the family once in a year. Neelam goes to school and she is studying in 11th Class Standard. She is interested in doing BA in Arts after completing her high school 12th final year.
    Sexual_Violence_India_08.JPG
  • Members of the Red Brigades are performing in a street play promoting awareness about women’s condition in India, on the streets of Madiyaw colony, Lucknow District, Uttar Pradesh. The Red Brigades are a group of young women led by Usha, 25, who after an attempted rape began talking about abuse with her students, aged around 14 to 18 years old. Usha founded the Red Brigades in November 2010. They act in self-written plays on gender equality around villages and cities, take part to protests and also teach self-defence classes. Most of the girls in the group have experienced some kind of abuse in their past. They sing words such as "all sisters are breaking all the rules, boundaries, come to bring a new world, change will come," and "for how long do we have to go through this?" and "the country has freedom, but girls do not have freedom."
    Sexual_Violence_India_07.JPG
  • Indian men are walking next to provoking Pepsi advertisement starring Bollywood celebrity Priyanka Chopra, on the streets of Lucknow, the state capital of Uttar Pradesh, India.
    Sexual_Violence_India_02.JPG
  • People have gathered in Ivrea, pop. 30.000, for the closing night of the Historical Carnival. During these days of celebration Ivrea becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. .
    The_Historical_Carnival_of_Ivrea_35.JPG
  • A member of the Arduini is walking home from the City Square of Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. .
    The_Historical_Carnival_of_Ivrea_31.JPG
  • A teenager is covered in orange juice and flesh during the last day of fighting in the City Square if Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. .
    The_Historical_Carnival_of_Ivrea_30.JPG
  • Teams are grouping in the City Square for the closing day of the Battle of the Oranges and to celebrate the historical victory of the people against their oppressor, in Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. .
    The_Historical_Carnival_of_Ivrea_29.JPG
  • A one-on-one fight is taking place during the Battle of the Oranges, in Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. ...
    The_Historical_Carnival_of_Ivrea_20.JPG
  • Member of the horse-van teams are taking a moment of break from the intense battle while his van moves from one square to the next during the Battle of the Oranges, in Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. ...
    The_Historical_Carnival_of_Ivrea_19.JPG
  • Throwers are collecting oranges to fight the next horse-van passing through their location in Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. ...
    The_Historical_Carnival_of_Ivrea_18.JPG
  • A one-on-one fight is taking place during the Battle of the Oranges in the City Square of Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. ...
    The_Historical_Carnival_of_Ivrea_17.JPG
  • Men are running along the horse-vans through the narrow streets of Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. ...
    The_Historical_Carnival_of_Ivrea_15.JPG
  • Members of the Spades (one of the groups fighting from a horse-van, and symbolising the guards of Count Ranieri) are engaging in an open fight during The Battle of the Oranges in the City Square of Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. ...
    The_Historical_Carnival_of_Ivrea_13.JPG
  • Members of the Spades (one of the groups fighting from a horse-van, and symbolising the guards of Count Ranieri) are waiting to fight during The Battle of the Oranges in the City Square of Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. ...
    The_Historical_Carnival_of_Ivrea_12.JPG
  • A member of the Spades (one of the groups fighting from a horse-van, and symbolising the guards of Count Ranieri) is being hit by an orange during The Battle of the Oranges in the City Square of Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere.
    The_Historical_Carnival_of_Ivrea_11.JPG
  • The Miller is standing on her horse-van close to her two daughters, waving hands to welcome the public in the City Square for the opening of the Carnival of Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. ...
    The_Historical_Carnival_of_Ivrea_10.JPG
  • Members of the band are playing medieval music in the City Square during the celebrations for the Carnival of Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. ...
    The_Historical_Carnival_of_Ivrea_09.JPG
  • The Miller is sitting in the Ivrea City Hall just before being presented to the people waiting on its outside during the historical Carnival of the town Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. .
    The_Historical_Carnival_of_Ivrea_04.JPG
  • Indians are watching the national cricket finals 2009 near Churchgate Station, central Mumbai, India, on May 24th 2009. The match, played in the South African city of Johannesburg, was won by the Deccan Chargers against the Royal Challengers Bangalore. The 2009 cricket finals where played in South Africa because of national elections that were scheduled for the same period.
    SZ_Cricket_India_Alex_Masi_7.jpg
  • Indians are watching the national cricket finals 2009 in a shop on the streets of Shivaji Nagar, a Muslim neighbourood on the outskirts of Mumbai, India, on May 24th 2009. The match, played in the South African city of Johannesburg, was won by the Deccan Chargers against the Royal Challengers Bangalore. The 2009 cricket finals where played in South Africa because of national elections that were scheduled for the same period.
    SZ_Cricket_India_Alex_Masi_3.jpg
  • (name changed) Neelam Bharadwaj, 16, (second from right) is preparing some rice for cooking, while her older sister Sanju, 29, (right) is preparing a pot with water, inside their home in Rajbhar village, located around 20 kilometres away from Varanasi, in Uttar Pradesh, India. Sanju's children, Payel, 5, (second from left) and Prince Kumar, 3, (left) are sitting nearby. Neelam was raped when she was 13 years old. After walking to a local shop on the main road neighbouring her village, she was forcibly picked up by two men. While one of them was raping her in the bushes, the other watched out. After some time, she managed to free herself and run away, hiding under a bridge in cold dirty water for several hours. When she returned home in the morning, the family was too afraid to go to the police, but activist Mangla Parsad, 34, from PVCHR, convinced the family to take the right action. The police initially insulted and threatened the family for bringing the facts up, but filed the official case (FIR) nevertheless. The rape was not mentioned in the file due to an inaccurate and superficial medical record that did not, in fact, mention it. Because of social shame facing by victims of rape in India, the family agreed to wed Neelam to an older man, with help of an agent. After the marriage, her husband raped her again for a whole month before she decided to return home with her family. Neelam’s father works in the metal industry in Mumbai and manages to send around 2-3000 INR every month. He only visits the family once in a year. Neelam goes to school and she is studying in 11th Class Standard. She is interested in doing BA in Arts after completing her high school 12th final year.
    Sexual_Violence_India_42.JPG
  • Members of the Red Brigades are showing their martial arts skills on the streets of Madiyaw colony, Lucknow District, Uttar Pradesh. The Red Brigades are a group of young women led by Usha, 25, who after an attempted rape began talking about abuse with her students, aged around 14 to 18 years old. Usha founded the Red Brigades in November 2010. They act in self-written plays on gender equality around villages and cities, take part to protests and also teach self-defence classes. Most of the girls in the group have experienced some kind of abuse in their past. They sing words such as "all sisters are breaking all the rules, boundaries, come to bring a new world, change will come," and "for how long do we have to go through this?" and "the country has freedom, but girls do not have freedom."
    Sexual_Violence_India_38.JPG
  • People are passing by a capsized Tata truck on a rural road outside of Varanasi, Uttar Pradesh, India.
    Sexual_Violence_India_35.JPG
  • Under the heavy rain, a boy is sitting inside a rickshaw passing though a busy street of Varanasi, Uttar Pradesh, India.
    Sexual_Violence_India_27.JPG
  • Young women are taking part to an awareness workshop organised by Neeta Shani, from the charity PVCHR, in Parmandapur, a rural area near Varanasi, Uttar Pradesh, India. The girls are painting pro-women slogans on the walls of the local Panchayat, or village council.
    Sexual_Violence_India_25.JPG
  • Boys are playing arcade video games on the roads of Madiyaw colony, Lucknow District, Uttar Pradesh.
    Sexual_Violence_India_23.JPG
  • Children are taking part to an awareness workshop organised by Neeta Shani, from the charity PVCHR, in Parmandapur, a rural area near Varanasi, Uttar Pradesh, India.
    Sexual_Violence_India_18.JPG
  • Two young children are enjoying a moment together while their parents are walking around Rajbhar village, where Neelam Bharadwaj, 16, (name changed) resides with her family, around 20 kilometres away from Varanasi, in Uttar Pradesh, India. Neelam was raped when she was 13 years old. After walking to a local shop on the main road neighbouring her village, she was forcibly picked up by two men. While one of them was raping her in the bushes, the other watched out. After some time, she managed to free herself and run away, hiding under a bridge in cold dirty water for several hours. When she returned home in the morning, the family was too afraid to go to the police, but activist Mangla Parsad, 34, from PVCHR, convinced the family to take the right action. The police initially insulted and threatened the family for bringing the facts up, but filed the official case (FIR) nevertheless. The rape was not mentioned in the file due to an inaccurate and superficial medical record that did not, in fact, mention it. Because of social shame facing by victims of rape in India, the family agreed to wed Neelam to an older man, with help of an agent. After the marriage, her husband raped her again for a whole month before she decided to return home with her family. Neelam’s father works in the metal industry in Mumbai and manages to send around 2-3000 INR every month. He only visits the family once in a year. Neelam goes to school and she is studying in 11th Class Standard. She is interested in doing BA in Arts after completing her high school 12th final year.
    Sexual_Violence_India_17.JPG
  • Geeta, (right) around 40 years old, is recounting how her younger daughter Radhika, 4, was kidnapped, raped and murdered on July 7th-8th, while her other daughter, Poonam, 8, (left) is sitting next to her, on a road inside Pakkatalab colony, in Lucknow, Uttar Pradesh. Radhika was kidnapped out of the family’s house, nobody noticed. Her mother, Geeta, woke up at around 2am on July 8th and went searching for her younger daughter. She also went to the police, but they didn't do anything to help finding the girl. Geeta found her girl on the street, already dead. According to ‘The Times of India’, around 60 wounds were found on the girl’s body. Instead of filing an official case, (FIR) the police told the mother that street dogs had killed her child. The post-mortem examination showed differently, and also proved that Radhika was raped. After some street demonstrations, the two police officers involved were suspended, and the police have now started searching for evidence. A destitute woman, Geeta makes and sells stones that are used as a flat base where to shred and chip vegetables. Her husband, Raju, died 3 years ago.
    Sexual_Violence_India_06.JPG
  • (name changed) Kanchan Kumari Sharma, 12, is sitting insider her home in Sersiya Kekrahi village, Varanasi District, Uttar Pradesh, India. In 2012, Kanchan went with a friend to bring lunch to her father, around 2 km away from her home. On the way they met Rajesh (rapist) and Ashok, a friend of his. Both girls were picked up on the spot using an excuse. Ashok drove Kanchan's friend home, but Rajesh forced Kanchan to travel with him during six days and for hundreds of kilometres across different states. (Mirzapur / Chennai / Itarsi / Bhusawal) He raped her once behind the station in Itarsi. With great effort and some coincidence, the uncle of Kanchan managed to bring her back home. Although she was scared, she insisted on going to the police to file a case (FIR). She was kept at the police station for 12 days and threatened to prevent her from filing an official case. Ashok and Rajesh are from higher caste and wealthy families. While Rajesh spent 24 days in jail initially in summer 2012, he is now a free man while the trial is still going on. Kanchan's family is now struggling to put together 30.000 Indian Rupees (500 USD) to continue battling for justice in court.
    Sexual_Violence_India_04.JPG
  • A members of the Mercenaries is waiting for the horse-van behind him to enter the City Square and start to fight again during The Battle of the Oranges in Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. .
    The_Historical_Carnival_of_Ivrea_25.JPG
  • Members of the Credendari (one of the groups fighting from a horse-van, and symbolising the guards of Count Ranieri) are engaged in an open fight during The Battle of the Oranges in Gioberti Square, Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. .
    The_Historical_Carnival_of_Ivrea_23.JPG
  • Members of the Chess (one of the groups fighting from a horse-van, and symbolising the guards of Count Ranieri) are engaged in an open fight during The Battle of the Oranges in Freguglia Square, Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. .
    The_Historical_Carnival_of_Ivrea_21.JPG
  • The Miller is waving hands to the people of Ivrea from the City Hall, where thousands of people have made their way for the opening of the Carnival of Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere. ..
    The_Historical_Carnival_of_Ivrea_05.JPG
  • A young girl and her mum are standing inside the Ivrea City Hall on the first day of the Carnival of the town Ivrea, pop. 30.000. During the days of the Carnival, the town becomes crammed with tourists coming to witness the event which finds its roots at the end of the XII Century, when the people led an insurrection against the local tyrant, Count Ranieri of Biandrate, who was exercising the 'jus primae noctis' rule (having the first night) on the local young brides. The battle to overthrow him is represented with a 3-day-fight between factions in which more then 400 tonnes of oranges are thrown. During the celebrations, food stalls, bands playing music, and parades are also present, giving it a typical Medieval atmosphere.
    The_Historical_Carnival_of_Ivrea_03.JPG
  • Indians are watching the national cricket finals 2009 near Churchgate Station, central Mumbai, India, on May 24th 2009. The match, played in the South African city of Johannesburg, was won by the Deccan Chargers against the Royal Challengers Bangalore. The 2009 cricket finals where played in South Africa because of national elections that were scheduled for the same period.
    SZ_Cricket_India_Alex_Masi_8.jpg
  • Indians are watching the national cricket finals 2009 in a shop on the streets of Shivaji Nagar, a Muslim neighbourood on the outskirts of Mumbai, India, on May 24th 2009. The match, played in the South African city of Johannesburg, was won by the Deccan Chargers against the Royal Challengers Bangalore. The 2009 cricket finals where played in South Africa because of national elections that were scheduled for the same period.
    SZ_Cricket_India_Alex_Masi_6.jpg
Next
  • Facebook
  • Twitter
x

Alex Masi Documentary Photography

  • > SEARCH FOR IMAGES
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area
  • PRINTS COLLECTION
  • BOOK: 'Bhopal Second Disaster'
  • MULTIMEDIA
  • AWARDS AND EXHIBITIONS
  • PROFILE