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  • Cataclysm, 27, (left) and Iron Braydz, 26, (centre) are chatting with other artists in a Hip Hop music store in central London on Wednesday, Feb. 7, 2007.  Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH32.JPG
  • Young spectators are taking part to the final moments on stage of the 'Palestine - The Album', a music collection recorded by many different artists in the Islamic Hip Hop scene in London, England, on Saturday, Jan. 6, 2007.  Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH06.JPG
  • Iron Braydz, 26, (right) and his partner, Cataclysm, 27, (left) are working on their music in a studio in Angel, London, England, on Monday, Feb. 12, 2007. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH25.JPG
  • Cataclysm, 27, (left) is chatting with other artists in a Hip Hop music store in central London on Wednesday, Feb. 7, 2007, while Iron Braydz, 26, (right) is watching videos on television. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH33.JPG
  • Young spectators are taking part to the final moments on stage of the 'Palestine - The Album', a music collection recorded by many different artists in the Islamic Hip Hop scene in London, England, on Saturday, Jan. 6, 2007.  Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH11.JPG
  • Eslam Jawaad, 29, an Islamic Hip Hop artist, is performing during the 'Palestine - The Album', a music collection recorded by many different artists in the Islamic Hip Hop scene in London, England, on Saturday, Jan. 6, 2007.  Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH10.JPG
  • Artists are praying on stage during the final moments on stage of the 'Palestine - The Album', a music collection recorded by many different artists in the Islamic Hip Hop scene in London, England, on Saturday, Jan. 6, 2007.  Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH02.JPG
  • DVDs and CDs are on sale at the launch of the 'Palestine - The Album', a music collection recorded by many different artists in the Islamic Hip Hop scene in London, England, on Saturday, Jan. 6, 2007.  Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH18.JPG
  • Cataclysm, 27, is singing during the final moments on stage of the 'Palestine - The Album', a music collection recorded by many different artists in the Islamic Hip Hop scene in London, England, on Saturday, Jan. 6, 2007.  Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH12.JPG
  • Eslam Jawaad, 29, an Islamic Hip Hop artist, is performing during the 'Palestine - The Album', a music collection recorded by many different artists in the Islamic Hip Hop scene in London, England, on Saturday, Jan. 6, 2007.  Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH09.JPG
  • Quest Rah, (left) and Scarab, (right) two Islamic Hip Hop artist, are performing during the 'Palestine - The Album', a music collection recorded by many different artists in the Islamic Hip Hop scene in London, England, on Saturday, Jan. 6, 2007.  Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH05.JPG
  • Young spectators are taking part to the final moments on stage of the 'Palestine - The Album', a music collection recorded by many different artists in the Islamic Hip Hop scene in London, England, on Saturday, Jan. 6, 2007.  Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH03.JPG
  • Donovan, 17, a member of the Hells Most Wanted, a Christian Hip Hop group, is dancing, Rev. Ferguson, of the Music Ministry, and co-founder of the Hip Hop Church NY, is playing music from the background,  during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, June 22, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ëGodí is worshipped not according to religious dogmatisms and rules, but where the ëHoly Spirití is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ëSpirit of Godí moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ëHip-Hop Homileticsí, a preaching and worship technique designed to reach the children in their language and highlight their sensibiliti
    HipHopChurch23.jpg
  • Iron Braydz, 26, (right) and his partner, Cataclysm, 27, (left) are working on their music in a studio in Angel, London, England, on Monday, Feb. 12, 2007. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH26.JPG
  • Spectators are taking part to the final moments on stage of the 'Palestine - The Album', a music collection recorded by many different artists in the Islamic Hip Hop scene in London, England, on Saturday, Jan. 6, 2007.  Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH13.JPG
  • Artists and spectators are taking part together to the final moments on stage of the 'Palestine - The Album', a music collection recorded by many different artists in the Islamic Hip Hop scene in London, England, on Saturday, Jan. 6, 2007.  Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH01.JPG
  • Somaya Rezaie, 20, a young Afghan actress whose career has been affected by having part of the movie where she acted subtracted and played along 'music clips', is gazing at the streets from the window of a friend's home in Kabul, Afghanistan. Women appearing on 'music clips' in Afghanistan can be seen as 'immoral' by the public, might face dangers while and their careers can also be at stake.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Somaya Rezaie, 20, a young Afghan actress whose career has been affected by having part of the movie where she acted subtracted and played along 'music clips' is portrayed in a friend's home in Kabul, Afghanistan. Women appearing on 'music clips' in Afghanistan can be seen as 'immoral' by the public, might face dangers while and their careers can also be at stake.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Somaya Rezaie, 20, a young Afghan actress whose career has been affected by having part of the movie where she acted subtracted and played along 'music clips', is gazing at the streets from the window of a friend's home in Kabul, Afghanistan. Women appearing on 'music clips' in Afghanistan can be seen as 'immoral' by the public, might face dangers while and their careers can also be at stake.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Iron Braydz, 26, is pointing to a gas mask graffiti painted on the wall of his living room in Willesden, London, on Thursday, Feb. 15, 2007. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH35.JPG
  • Iron Braydz, 26, is awaiting his time to record for Blind Alphabetz's new album in a studio in Angel, London, England, on Monday, Feb. 12, 2007. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH23.JPG
  • Iron Braydz, 26, (right) is taking part to a demonstration against the US-led invasion of Iraq, on Saturday, Jan. 20, 2007, in central London, England. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH15.JPG
  • Cataclysm, 27, (left) and Iron Braydz, 26, (right) are taking part to a demonstration against the US-led invasion of Iraq, on Saturday, Jan. 20, 2007, in central London, England. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH14.JPG
  • Jeffrey Jr., 7, member of the Hip Hop Church Choir, is dancing in front of the altar at the beat of the music during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, June 22, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ëGodí is worshipped not according to religious dogmatisms and rules, but where the ëHoly Spirití is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ëSpirit of Godí moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ëHip-Hop Homileticsí, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ëKeep It Realí evangelism style is the centrepiece
    HipHopChurch15.jpg
  • Iron Braydz, 26, (right) is having honey before leaving home to perform while Cataclysm, 27, (left) is waiting to leave with him, in Willesden, London, on Thursday, Feb. 15, 2007. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH34.JPG
  • Iron Braydz, 26, is talking to a passer by about Blind Alphabetz's new album on Wednesday, Feb. 7, 2007, in London, England. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH31.JPG
  • Cataclysm, 27, (left) and Iron Braydz, 26, (right) are waiting for people in the street to present Blind Alphabetz?s new album on Wednesday, Feb. 7, 2007, in London, England. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH30.JPG
  • Sukina, (left) and Muneera (right) from the Islamic Hip Hop duo 'Poetic Pilgrimage', are performing at SOAS University in London, England, on Wednesday, Jan. 31, 2007. Islamic Hip Hop artists like the duo 'Poetic Pilgrimage', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH21.JPG
  • Rev. Ferguson, of the Music Ministry, and co-founder of the Hip Hop Church NY, is singing passionately along the Hip Hop Church Choir during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, June 22, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ëGodí is worshipped not according to religious dogmatisms and rules, but where the ëHoly Spirití is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ëSpirit of Godí moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ëHip-Hop Homileticsí, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ëKeep It Realí evangelism s
    HipHopChurch02.JPG
  • Cataclysm, 27, is recording for Blind Alphabetz's new album in a studio in Angel, London, England, on Monday, Feb. 12, 2007. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH24.JPG
  • Cataclysm, (left), form the duo 'Blind Alphabetz', and Abdur Raheem, (right) another Hip Hop artist, are performing together at SOAS University in London, England, on Wednesday, Jan. 31, 2007. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH20.JPG
  • Cataclysm, 27, (centre) is taking part to a demonstration against the US-led invasion of Iraq, on Saturday, Jan. 20, 2007, in central London, England. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH17.JPG
  • Rev. Ferguson, of the Music Ministry, and co-founder of the Hip Hop Church NY, is preaching to those attending the Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, June 22, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ëGodí is worshipped not according to religious dogmatisms and rules, but where the ëHoly Spirití is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ëSpirit of Godí moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ëHip-Hop Homileticsí, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ëKeep It Realí evangelism style is the centrepiece of R
    HipHopChurch26.JPG
  • Christian devotees dancing Hip Hop music during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, July 21, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ?God? is worshipped not according to religious dogmatisms and rules, but where the ?Holy Spirit? is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ?Spirit of God? moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ?Hip-Hop Homiletics?, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ?Keep It Real? evangelism style is the centrepiece of Rev. Ferguson?s ministry, one that speaks the plain language of th
    HipHopChurch09.JPG
  • Iron Braydz, 26, (centre) is relaxing before performing on Thursday, Feb. 15, 2007, in London, England. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH29.JPG
  • Iron Braydz, 26, (left) and his partner, Cataclysm, 27, (right) are performing on Thursday, Feb. 15, 2007, in London, England. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH28.JPG
  • Iron Braydz, 26, is performing on Thursday, Feb. 15, 2007, in London, England. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH27.JPG
  • Iron Braydz, 26, is recording for Blind Alphabetz's new album in a studio in Angel, London, England, on Monday, Feb. 12, 2007. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH22.JPG
  • Christian woman dancing Hip Hop music while the Hells Most Wanted, a Christian Hip Hop group, are singing in the background, during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, July 6, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ?God? is worshipped not according to religious dogmatisms and rules, but where the ?Holy Spirit? is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ?Spirit of God? moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ?Hip-Hop Homiletics?, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ?Keep It Real? evangelism style is th
    HipHopChurch24.jpg
  • Hip Hop legend, Kurtis Blow, 47, mixing music during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, June 29, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ?God? is worshipped not according to religious dogmatisms and rules, but where the ?Holy Spirit? is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ?Spirit of God? moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ?Hip-Hop Homiletics?, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ?Keep It Real? evangelism style is the centrepiece of Rev. Ferguson?s ministry, one that speaks the plain language
    HipHopChurch21.jpg
  • Christian devotees dancing Hip Hop music during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, July 6, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ?God? is worshipped not according to religious dogmatisms and rules, but where the ?Holy Spirit? is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ?Spirit of God? moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ?Hip-Hop Homiletics?, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ?Keep It Real? evangelism style is the centrepiece of Rev. Ferguson?s ministry, one that speaks the plain language of the
    HipHopChurch17.JPG
  • Christian devotees dancing Hip Hop music during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, July 21, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ?God? is worshipped not according to religious dogmatisms and rules, but where the ?Holy Spirit? is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ?Spirit of God? moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ?Hip-Hop Homiletics?, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ?Keep It Real? evangelism style is the centrepiece of Rev. Ferguson?s ministry, one that speaks the plain language of th
    HipHopChurch10.jpg
  • Iron Braydz, 26, (left) and his partner, Cataclysm, 27, (right) are performing on Wednesday, Jan. 31, 2007, at SOAS University, in London, England. Islamic Hip Hop artists like the duo 'Blind Alphabetz', from London, feel more than ever the need to say what they think aloud. In the music industry the backlash of a disputable Western foreign policy towards Islamic countries and its people is strong. The number of artists in the European Union and the US taking this into consideration and addressing the current social and political problems within their lyrics is growing rapidly and fostering awareness for Muslim and others alike.
    IHH19.JPG
  • Inmates (facing camera) and their instructor are clapping hands and singing during the time they regularly spend learning and practicing music arts inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_013.JPG
  • Elaha Soroor, 20, (right) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is listening to some of her songs with her younger brother (centre) and a female member of her music group (left) in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Guards are lining up for lunch at the deli bar inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_027.JPG
  • Yasamin Yarmal, 42, (right) a famous Afghan actress taking part to 'Love and Old Age', a successful soap opera broadcasted by Ariana Television Network (ATN), is discussing her acting with Ghafar Zalam, 48, (right - hands and script visible) the director, inside a home on the outskirts of Kabul, Afghanistan. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is portrayed in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Two women (left) dressed in traditional burka dresses are walking past a cart carrying brand new television sets along a more modern Afghan woman and her young daughter, (right) on the streets of Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Inmates are taking part to a stretching session with their female trainer during the time they regularly spend carrying out physical exercise and learning about the human body inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_049.JPG
  • Inmates are practicing instruments in the professional recording studio where they regularly play as a band, built inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_047.JPG
  • A sniffer dog is waiting for orders to begin walking through bags owned by new arrivals at the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_042.JPG
  • A Christian inmate is praying while sitting inside an area of the prison built purposely for prisoners wanting to express their faith inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_041.JPG
  • The medical personnel is preparing medicinal doses used by a number of inmates under treatment inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_033.JPG
  • Guards are eating and chatting in the lunch room of the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_028.JPG
  • A guard (right) is enjoying time with an inmate during a welding workshop carried out inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_024.JPG
  • A sniffer dog has just identified a bag of a new inmate to be suspicious and is calling for attention in the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_003.JPG
  • Azita Arif Nazimi, 25, (right) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan. Her guest and other members of the show are sitting near Azita. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, a documentary and fiction filmmaker, is sitting in her home in Kabul, Afghanistan. Roya's most famous production is titled 'Three Dots', an award-winning film that tells the story of women's village life in the province of Herat, western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Alka Sadat, 24, (centre), an award-winning documentary and fiction filmmaker, is smiling while sitting at her desk in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A section of Kabul, Afghanistan, is photographed from a helicopter flying over the city.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, (right) and Alka Sadat, 24, (centre), two sisters working on documentary and fiction film, are sitting at their desk while editing their recent shooting in their home in Kabul, Afghanistan. Aziz Dilder, 28, (left) a teacher at the cinema department of the fine art faculty of Kabul University is collaborating with the two brave sisters since about one year. Roya's most famous production is titled 'Three Dots' and it is an award-winning film that tells the story of women's village life in the province of Herat in western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Azita Arif Nazimi, 25, (left) is presenting 'Family Live Show', a television program broadcasted live by Channel 1, an Afghan national television, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is practising in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, is sitting while waiting to be interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Child being blessed by Rev. Stephen W. Pogue, the Pastor, while a young woman (right) has fell on the floor crying and invoking the Lord, after having being filled by the Holy Spirit, at the Hip Hop Church in Harlem, New York, NY., on Thursday, July 21, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ?God? is worshipped not according to religious dogmatisms and rules, but where the ?Holy Spirit? is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ?Spirit of God? moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ?Hip-Hop Homiletics?, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This
    HipHopChurch29.jpg
  • Members of the public invoking the Lord and praying for the Holy Spirit to descend on them during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, July 6, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ?God? is worshipped not according to religious dogmatisms and rules, but where the ?Holy Spirit? is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ?Spirit of God? moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ?Hip-Hop Homiletics?, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ?Keep It Real? evangelism style is the centrepiece of Rev. Ferguson?s m
    HipHopChurch28.jpg
  • A young girl worshipper is dancing at the hip hop beat during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, June 22, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ëGodí is worshipped not according to religious dogmatisms and rules, but where the ëHoly Spirití is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ëSpirit of Godí moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ëHip-Hop Homileticsí, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ëKeep It Realí evangelism style is the centrepiece of Rev. Fergusonís ministry, one that speaks the plain
    HipHopChurch11.JPG
  • Hip Hop legend, Kurtis Blow, 47, playing on the mixer during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, June 29, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ?God? is worshipped not according to religious dogmatisms and rules, but where the ?Holy Spirit? is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ?Spirit of God? moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ?Hip-Hop Homiletics?, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ?Keep It Real? evangelism style is the centrepiece of Rev. Ferguson?s ministry, one that speaks the plain l
    HipHopChurch03.jpg
  • An inmate is taking part to a climbing session during the time regularly spent carrying out physical exercise and learning about the human body inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_048.JPG
  • Inmates are practicing instruments in the professional recording studio where they regularly play as a band, built inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_020.jpg
  • Guards are standing in one of the observation points build for every living section of the prison in the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_044.JPG
  • A woman trainer (right) is inciting an inmate to run faster while in the yard of the luxurious Halden Fengsel, (prison) during the time prisoners regularly spend carrying out physical exercise and learning about the human body in Halden, near Oslo, Norway.
    Halden_Luxury_Prison_Norway_036.JPG
  • Inmates are smoking a cigarette in one of the open areas of the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_035.JPG
  • The school head-teacher is walking through underground tunnels linking every building of the luxurious Halden Fengsel (prison) and used only by the staff to rapidly reach other sections, in Halden, near Oslo, Norway.
    Halden_Luxury_Prison_Norway_030.JPG
  • An inmate is brushing his teeth in the bathroom inside one of the single-person prison cells build with various amenities in the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_029.JPG
  • Inmates (all but the woman teacher in the middle) are taking part to a cooking lesson inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_026.JPG
  • The prison dentist is portrayed in front of her working chair while waiting for a patient inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_022.JPG
  • The school head-teacher (standing) is assisting a needy inmate during an IT lesson inside a computer room of the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_021.JPG
  • An inmate is taking a look at a book while working in the prison library, containing not only books but also magazines, CDs and DVDs, inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_018.JPG
  • An inmate (centre) is talking to a woman guard (right) inside the prison library, containing not only books but also magazines, CDs and DVDs, inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_017.JPG
  • Inmates are trying to use a one-wheeled bicycle inside the prison gym during the time they regularly spend carrying out physical exercise and learning about the human body at the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_012.JPG
  • A woman trainer (right) is running alongside an inmate in the yard of the luxurious Halden Fengsel, (prison) during the time prisoners regularly spend carrying out physical exercise and learning about the human body in Halden, near Oslo, Norway.
    Halden_Luxury_Prison_Norway_011.JPG
  • Inmates are taking part to a climbing session during the time they regularly spend carrying out physical exercise and learning about the human body inside the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_008.JPG
  • An inmate (right) is practicing drawing along a woman guard during an art lesson at the school inside the premises of the luxurious Halden Fengsel, (prison) near Oslo, Norway.
    Halden_Luxury_Prison_Norway_006.JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is practising in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis. .
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is portrayed in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Elaha Soroor, 20, (centre) a finalist for 'Afghan Star', a Tolo TV program similar to American Idol, is practising in her home in Kabul, Afghanistan. Elaha Soroor was a finalist of Afghan Star in the 2008-2009 edition but failed to win on the final night. Some believe she lost because of her gender, others believe because she is ethnically Hazara, a minority group constituting about 15% of Afghanistan's population with features similar to Mongolians, flat noses, broad faces and almond-shaped eyes. Hazaras are mostly Shia Muslims, as opposed to other Afghans who are for the most part Sunnis.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • A section of Kabul, Afghanistan, is photographed from the heights of Television Mountain, one of the renowned viewing points of the city.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Roya Sadat, 28, a documentary and fiction filmmaker, is speaking on the phone in her home in Kabul, Afghanistan. Roya's most famous production is titled 'Three Dots', an award-winning film that tells the story of women's village life in the province of Herat in western Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, is sitting inside at studio of Channel 1, an Afghan national television, before being interviewed by a presenter, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Ghafar Zalam, 48, the director for the soap opera 'Love and Old Age', broadcasted by Ariana Television Network (ATN) and featuring the renowned actress Yasamin Yarmal, 42, is reading the script for the shoot inside a home on the outskirts of Kabul, Afghanistan. Yasamin Yarmal has performed in over 100 movies and some refer to her as the 'mother' of Afghan cinema. She was also selected as UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador in 2009 for her role in leading a change towards women within the conservative and patriarchal Afghan society.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Safia, 23, a renowned singer and former contestant to 'Afghan Star' 2008-2009 edition, a Tolo TV program similar to American Idol, is practising in a studio for the production and launch of her new album, in Kabul, Afghanistan.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Leena Alam, 27, (right) is being interviewed by a presenter of Channel 1, an Afghan national television, in Kabul, Afghanistan. Leena Alam is an American-born Afghan model, actress and filmmaker who has recently moved to Kabul to perform and promote emancipation and better rights for women in the country. She is also a UNAMA (United Nation Assistance Mission in Afghanistan) Peace Ambassador.
    Performing_For_Freedom_Kabul_Afghani...JPG
  • Rev. Stephen W. Pogue, the Pastor, embracing an exited  devotee after the blessing, while a young woman (left) has fainted on the floor in ecstasy, after having being filled by the Holy Spirit, at the Hip Hop Church in Harlem, New York, NY., on Thursday, July 21, 2006. Other devotees are waiting in line. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ëGodí is worshipped not according to religious dogmatisms and rules, but where the ëHoly Spirití is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ëSpirit of Godí moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ëHip-Hop Homileticsí, a preaching and worship technique designed to reach the children in their language and highlight their sensibil
    HipHopChurch31.JPG
  • Family of devotees praying while awaiting to be blessed by the Holy Spirit during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, June 22, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ëGodí is worshipped not according to religious dogmatisms and rules, but where the ëHoly Spirití is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ëSpirit of Godí moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ëHip-Hop Homileticsí, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ëKeep It Realí evangelism style is the centrepiece of Rev. Fergusonís ministry, one th
    HipHopChurch30.JPG
  • Rev. Stephen W. Pogue, the Pastor, preaching from the altar during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, June 29, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ?God? is worshipped not according to religious dogmatisms and rules, but where the ?Holy Spirit? is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ?Spirit of God? moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ?Hip-Hop Homiletics?, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ?Keep It Real? evangelism style is the centrepiece of Rev. Ferguson?s ministry, one that speaks the p
    HipHopChurch22.JPG
  • The Hells Most Wanted, a Christian Hip Hop group, and other members of the Hip Hop Church Choir, are singing and dancing in front of the altar during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, June 29, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ?God? is worshipped not according to religious dogmatisms and rules, but where the ?Holy Spirit? is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ?Spirit of God? moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ?Hip-Hop Homiletics?, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ?Keep It Real? eva
    HipHopChurch19.jpg
  • Hip Hop legend, Kurtis Blow, 47, is singing while Christian devotees are dancing at his beat, during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, June 29, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ?God? is worshipped not according to religious dogmatisms and rules, but where the ?Holy Spirit? is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ?Spirit of God? moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ?Hip-Hop Homiletics?, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ?Keep It Real? evangelism style is the centrepiece of Rev. Ferguson
    HipHopChurch16.jpg
  • As one of the invited guests of the week, a woman is singing a praise song to God during a Mass Service at the Hip Hop Church in Harlem, New York, NY., on Thursday, July 21, 2006. A new growing phenomenon in the United States, and in particular in its most multiethnic city, New York, the Hip Hop Church is the meeting point between Hip Hop and Christianity, a place where ?God? is worshipped not according to religious dogmatisms and rules, but where the ?Holy Spirit? is celebrated by the community through young, unique, passionate Hip Hop lyrics. Its mission is to present the Christian Gospel in a setting that appeals to both, those individuals who are confessed Christians, as well as those who are not regularly attending traditional Services, while helping many youngsters from underprivileged neighbourhoods to feel part of a community, to make them feel loved and to help them not to give up when problems arise. The Hip Hop Church is not only forward-thinking but it also has an important impact where life at times can be difficult and deceiving, and where young people can be easily influenced for the worst purposes. At the Hip Hop Church, members are encouraged to sing, dance and express themselves in any way that the ?Spirit of God? moves them. Honours to students who have overcome adversity, community leaders, church leaders and some of the unsung pioneers of Hip Hop are common at this Church. Here, Hip Hop is the culture, while Jesus is the centre. Services are being mainly in Harlem, where many African Americans live; although the Hip Hop Church is not exclusive and people from any ethnic group are happily accepted and involved with as much enthusiasm. Rev. Ferguson, one of its pioneer founders, has developed ?Hip-Hop Homiletics?, a preaching and worship technique designed to reach the children in their language and highlight their sensibilities, while bringing forth Christianity. This ?Keep It Real? evangelism style is the centrepiece of Rev. Ferguson?s ministry,
    HipHopChurch14.JPG
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